![]() But audio on desktop Linux can be a bit temperamental, and I never could get my audio inputs working the way they worked on Windows or OS X. I was a poor student, and Free Software was also generally free software. I have been tinkering with Linux since 2000, and in about 2006 I made it my primary platform for home computing. The first two of these were certainly more important, but the third one was not inconsequential. But right when I felt like my recording technique was starting to mature, three things happened to derail me for a decade: 1) Medical education took over my life like a cancer, sucking up all of my free time and strangling all of my hobbies, 2) my wife and I had a bunch of kids, and 3) I migrated to Linux. The other New Folder recordings were better because I had a new computer with a healthier sound card, and the early tracks from Lost and Found were better still because I started paying attention to the noise level and applying a graphic equalizer to filter out the worst of it. “ Lint in my Pocket” and “ Aurelia Aurita” were probably the worst results, as the dying old sound card produced a lot of crackling and popping on the recording. ![]() Here is our recording:Ī bit of back story: Through the early 2000’s I used my computer’s sound card as my audio input, with variable results. The Scarlett 2i2 performed like a champ, and I was pleased with the sound quality of its input. When it arrived we recorded our song and sent it out to our family and friends. It cost $151.19 from the Focusrite website, which I thought was a reasonable price. So it was settled, and I ordered it within the next week. “But clearly we really need one,” I insisted. “It sounds like you’ve been looking at this for a while,” she deduced, correctly. ![]() ![]() “See? It’s The Best Selling USB Audio Interface in the World!” So I showed her the website on my phone, which I happened to have open. I said, “Then we need a Focusrite Scarlett 2i2 USB audio interface!” She was taken aback at my sudden and specific declaration. She suggested that we should record it for our Christmas card and email it out to our friends and family. Also I would look into mixing with lufs/truepeak, youtube tutorials are your friend when it comes to this.Last year in late November my family sang Away in a Manger together, and my wife commented on how good we sounded with the kids making up their own harmonies. If you have trouble identifying the peaks, try tools like the youlean loudnessmeter or span plus. Watching the frequency curve with a spectrum analyzer or osciloscope should help you identify where the main frequency of your instrument lies, try to avoid having the same frequency for multiple instruments, this will result in a much more rounded and "normalized" mix. Same goes for every other instrument, hihats and snare should have their own place in the mix aswell as all lead instruments. That way they wont add up, resulting in much lower true peak. The kick could mostly use a range of 60-80 hz while the bass has its place at 90-110 hz. To change this I often make sure that my kicks and bass use different frequencys. If the bass and kick reside at the same frequency they are going to "add up" and the peaks can be very loud. Lets say we have a bass and a kick that we want to mix (and for simplicity sake lets say there is no sidechaining involved).
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